By Jeffrey A. Auerbach
Britain, the Empire, and the realm on the nice Exhibition is the 1st publication to situate the Crystal Palace Exhibition of 1851 in a very worldwide context. Addressing nationwide, imperial, and foreign subject matters, this selection of essays considers the importance of the Exhibition either for its British hosts and their relationships to the broader international, and for individuals from worldwide. How did the Exhibition attach London, England, very important British colonies, and critical partaking geographical regions together with Russia, Greece, Germany and the Ottoman Empire? How could we predict in regards to the shows, viewers and organizers in gentle of what the Exhibition steered approximately Britainâ€™s position within the international neighborhood? participants from quite a few educational disciplines solution those and different questions by means of concentrating on the numerous indicates, guides, viewers and organizers in Britain and in other places. The essays extend our figuring out of the meanings, roles and legacies of the nice Exhibition for British society and the broader global, in addition to the ways in which this pivotal occasion formed Britainâ€™s and different partaking nationsâ€™ conceptions of and destinations in the wider nineteenth-century global.
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Extra resources for Britain, the Empire, and the World at the Great Exhibition of 1851
78 It does not follow, however, that anachronism necessarily tends to inherent incongruity and exclusion. Much of this chapter has been given over to the way in which the Palace worked to produce ‘anachronistic space’, only to proclaim Britain’s capacity to regenerate such 73 See Richard D. Altick, The Shows of London (London: The Belknap Press of Harvard University Press, 1978), pp. 275–9. See his chapter ‘The Noble Savage Reconsidered’ (pp. 268–87) for a more general survey of the display of non-European peoples in London throughout the nineteenth century.
But it is motivated by the fact that the years following 1851 did witness the systematic extermination of so many nonEuropean peoples as their lands and labour were incorporated into a London-based world economy. Such global slaughter was excused by the racist/xenophobic Victorian mindset which has been addressed here, and we must be careful that in revising our understandings of exhibitions we do not lose sight of their capacity to encode such crudely reductive modes of thought. This page intentionally left blank Chapter 2 The World within the City: The Great Exhibition, Race, Class and Social Reform Kylie Message and Ewan Johnston In his speech at the inaugural ceremonies for the forthcoming World’s Columbian Exposition in Chicago on 1 May 1892, Director-General George R.
55 Comfortable that Victorian laws, values and beliefs were right, Exhibition commentators foresaw a time when other peoples’ were no longer wrong. Thus the commonly held Cobdenite vision of free trade as a ‘grand panacea’ saw the Smithian mantra of mutual beneﬁt supplanted in favour of a one-way exchange between the metropolis and the periphery. And just as the incorporation of primitive nations into a modern international division of labour was ﬁgured as a paciﬁc process, so too this process of cultural assimilation and elevation was cast in consensual terms.
Britain, the Empire, and the World at the Great Exhibition of 1851 by Jeffrey A. Auerbach