By N. Osbaldiston
Internationally, there was a starting to be dissatisfaction with the pace of recent existence. defined easily because the 'slow phenomenon', this quantity explores this new model of residing that involves no longer easily slowing down yet an embracing of different actions that advertise that means, thoughtfulness, engagement and authenticity.
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Additional info for Culture of the Slow: Social Deceleration in an Accelerated World
It has clearly become difﬁcult – at least in the context of anticonsumerist critique – to think of consumption outside the paradigm of speed. Like a spinning top on the surface of a table, consumption whirls frenetically toward a perilous edge. That consumerism is a dangerous and unsustainable logic is not in question, but liquid modern consumption is surely not a temporal singularity. To suggest that it is serves to close off a diverse understanding of and response to the Kim Humphery 27 time of consumption, the concrete rhythms of exchange (as thinkers like Baudrillard observed).
2 million in 2005, a 12-fold rise. 8 million, a 7-fold expansion. But the increase has occurred not only in newer technologies. Ordinary household items, such as vacuum cleaners, more than doubled (67–188 million), ovens, toasters and coffeemakers rose from 76 million to 227 million. 4 billion in 2005, a nearly 100% increase. The consumption of ceramics doubled, although in this case the fast-fashion effect was joined by the remodelling boom to increase demand for bathroom ﬁxtures and tiles. The weight of vehicles purchased increased by roughly 70%.
This accounts for the fact that textiles were the most important commodity in the emergence of the modern global economy in the seventeenth and nineteenth centuries (Parthasarathi 2011). Decorative textiles and apparel were highly prized, required multiple skills to produce and commanded a nice price when offered for sale. Even everyday wear was relatively highly valued. This basic economic reality resulted in a particular kind of social life for clothing (Appadurai 1986). Once fashioned, a garment would traditionally have a long life, which ranged over a variety of uses (Lemire 2005; Roche 1994).
Culture of the Slow: Social Deceleration in an Accelerated World by N. Osbaldiston