By Gail Ashton
With contributions from 29 top overseas students, this is often the 1st single-volume consultant to the appropriation of medieval texts in modern culture.
Medieval Afterlives in modern Culture covers a complete diversity of media, together with literature, movie, television, comics booklet diversifications, digital media, performances, and advertisement item and tourism. Its full of life chapters diversity from Spamalot to the RSC, Beowulf to Merlin, machine video games to net memes, opera to younger grownup fiction and modern poetry, and masses more.
Also integrated is a better half site geared toward common readers, teachers, and scholars attracted to the burgeoning box of Medieval afterlives, whole with:
- extra reading/weblinks
- 'My favorite' publications to modern medieval appropriations
- photos and interviews
- advisor to library documents and manuscript collections
- consultant to background collection
See additionally our web site at https://medievalafterlives.wordpress.com/.
Read or Download Medieval Afterlives in Popular Culture PDF
Best medieval books
Throughout the thirteenth century Western Europe witnessed an explosion in vernacular literacy, leading to a wide physique of manuscript anthologies of secular and renowned troubadour lyrics. presently afterwards, those multi-authored compilations have been succeeded by means of books of poems by way of unmarried authors, significantly via Petrarch in the course of the 14th century.
In lots of methods, this ebook is a dialogical come across with might be the main influential highbrow within the Muslim culture: Abu Hamid al-Ghazaly. it's a discussion with many voices, person who fosters movement, discovery, playfulness, and invention.
Rhetorical concept, the middle of Roman schooling, taught principles of public conversing which are nonetheless influential this day. yet Roman rhetoric has lengthy been considered as having little vital to claim approximately political principles. The country of Speech offers a forceful problem to this view. the 1st ebook to learn Roman rhetorical writing as a style of political suggestion, it makes a speciality of Rome's maximum practitioner and theorist of public speech, Cicero.
- The language of Byzantine learned literature
- An Atlas of Northamptonshire: The Medieval and Early-Modern Landscape
- Omero e i suoi oratori: Tecniche di persuasione nell' Iliade
- Medieval Handgonnes: The first black powder infantry weapons (Weapon, Volume 3)
- Seamus Heaney: The Making of the Poet
- Runes and Runic Inscriptions: Collected Essays on Anglo-Saxon and Viking Runes
Extra info for Medieval Afterlives in Popular Culture
In economic terms, the plot might be read as mildly socialist, praising the redistribution of national wealth to the poorer classes; realistically, Prince John could never have amassed the huge amount of gold he loses to Robin merely by over-taxing poor dogs, rabbits, and mice. 18 But in other ways, the depiction of taxes is more conservative: they are raised on behalf of an “arrogant, greedy, ruthless” centralized government (as Friar Tuck describes Prince John), and they cause economic and social depression by stif ling personal initiative and morale: “Taxes, taxes, taxes.
Htm#k-12. 9. E. D. , The Knowledge Deficit: Closing the Shocking Education Gap for American Children (Boston: Houghton Miff lin, 2006), 79. 10. 2 (1996): 513–45. 11. John H. Bushman and Kay Parks Haas, Using Young Adult Literature in the English Classroom (Upper Saddle River, NJ: Pearson Education, 2006), 172–75. 12. librarius. htm. 13. Bushman and Haas, Using Young Adult Literature in the English Classroom, 170. 14. Patrick Lowenthal, “Digital Storytelling in Education: An Emerging Institutional Technology,” in Story Circle: Digital Storytelling Around the World (Chichester, West Sussex: Wiley-Blackwell, 2009), 252–59.
First, although live actors are sometimes used, these are supplemented by intertitles or voice-over narration, especially when portraying the offensive elements (2008D, 2008E, 209G, 2009B, 2010C, 2010F, and 2011C). Second, the videos contain a disclaimer, either at the opening, or at the closing, or on the YouTube site (2006A and 2009E). These disclaimers can be rather modest (“Btw, I do not agree with this story, I am not antiSemitic” [2009D]), tentative (“The story just told clearly attacks the Jews.
Medieval Afterlives in Popular Culture by Gail Ashton